Showing posts with label Editing. Show all posts
Showing posts with label Editing. Show all posts

Thursday, June 19, 2025

15 Writing Tips from a Professional Editor

 Everyone approaches editing a little bit differently, but here are a few common things she always keeps an eye out for.

Let’s take a look at what they are.

1. Editors often expect writers to not accept a lot of the changes they mark within a document.

“We’re not grading a test; we’re flagging inconsistencies and potential errors to make sure they’re intentional. If you’re cool with 85-90% of my edits, I’m ecstatic,” she said.

2. If you self-edit, learn the ins and outs of a style guide such as AP or CMOS.

You’ll write more efficiently when you don’t stop to think about Oxford commas or whether that compound word should be hyphenated or fused.

3. Use only one space after a period or other punctuation.

“Two spaces are as dead as the printing presses on which they originated,” she said.

4. Put in the extra thought to avoid jargon and clichés. It’ll make your work more precise.

5. A “from” needs a “to.” No exceptions, not even when writing the time of an event.

6. “Since” and “due to” are not great synonyms for “because” or “because of.”

Colloquially, sure—but not in professional writing.

7. Refer to a government, a company, or a partnership as “it” and use a singular verb.

(The singular “they” is awesome, but it applies to people.)

8. Most words—including job titles, department names, and specialized technology—don’t need to be capitalized.

“A lot of capitalization orbiting out there on the web is meaningless unless you’re entering a password. There, I said it.”

9. Using simple language isn’t for the sake of your audience’s intellect; it’s about respecting their time.

10. Contrary to what the Bachelor franchise would have us believe, “I’s” is not a word.

To show compound possession, use “my”: “Britney’s and my first date.” If that feels awkward, swap in “our.”

11. Items in a list should share the same grammatical form.

This is called parallel structure, and it’s jarring when people get it wrong.

12. Em-dashes and en-dashes got their names because they’re, respectively, the same length as “m” and “n.”

Don’t use either one when you should use a hyphen, and vice versa.

13. Accuracy is currency.

Be credible with your sources or risk breaking the reader’s trust.

14. Grammar is more subjective than you might think.

Good editors understand nuance.

15. No one will read your work as closely as your copy editor.

(Well, except maybe your mom.) Relax and enjoy the attention!

Hope these tips are as helpful to you as they were for me!

And remember: Don't take edits personally.

When you work with an editor the goal is to produce the best possible piece. You're on the same team; not opponents.


 

From: https://www.kaleighmoore.com/blog/2021/6/24/15-writing-tips-from-a-professional-editor

Saturday, January 22, 2022

Why the editor didn’t make it through the first chapter

 

Here are some of the common reasons the editor didn’t make it through the first chapter:

1. Generic beginnings: Stories that opened with the date or the weather didn’t really inspire interest. According to Harmsworth, you are only allowed to start with the weather if you’re writing a book about meteorologists. Otherwise, pick something more creative.

2. Slow beginnings: Some manuscripts started with too much pedestrian detail (characters washing dishes, etc) or unnecessary background information.

3. Trying too hard: Sometimes it seemed like a writer was using big words or flowery prose in an attempt to sound more sophisticated. In several cases, the writer used big words incorrectly. Awkward or forced imagery was also a turnoff. At one point, the panelists raised their hands when a character’s eyes were described as “little lubricated balls moving back and forth.”

4. TMI (Too Much Information): Overly detailed description of bodily functions or medical examinations had the panelists begging for mercy.

5. Clichés: “The buildings were ramrod straight.” “The morning air was raw.” “Character X blossomed into Y.” “A young woman looks into the mirror and tells us what she sees.” Clichés are hard to avoid, but when you revise, go through and try to remove them.

6. Loss of Focus: Some manuscripts didn’t have a clear narrative and hopped disjointedly from one theme to the next.

7. Unrealistic internal narrative: Make sure a character’s internal narrative—what the character is thinking or feeling—matches up with reality.  For example, you wouldn’t want a long eloquent narration of what getting strangled feels like—the character would be too busy gasping for breath and passing out. Also, avoid having the character think about things just for the sake of letting the reader know about them.